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Critiques [Translate]
- jagroopsingh
(1264) - [2008-03-31 4:55]
hi Fred
great composition with very interesting pov
good subject, nice effect and good pp work
very nice job done!
tfs
jagroopsingh
*thanks a lot for your nice words about ºTranquilityºº
- Reflex
(656) - [2008-03-31 5:07]
Nice composition with the building who is coming out the view. The sepia colour is in accord with the style. Well seen !
Jean
- johnnymag
(2275) - [2008-03-31 5:48]
Hi Fred,
Nice image. Really like your POV, good compo keeping the post inline with the buildings. Lots of depth at f4.5. Grain works well too.
Thanks for sharing,
regards,
John
- wieyos
(5293) - [2008-03-31 6:35]
Hi Fred,
4 things here that i like....1)the low angle, 2)the sephia 3)the exclusion of humans on this busy street, and 4)the signage.
al 4 make this photo great.
TFS
Regards
Agoes
- ajitjoshi19
(154) - [2008-03-31 6:59]
Hi Fred,
A nice shot and a good catch. :) I like the sepia tone for this picture to depict a historic view.
Very well done.
-Ajit
- hay_kes
(35400) - [2008-03-31 9:36]
Hi Fred,
Very nice architectural view.Great POV and perspective.TFS.
Cheers,
hAyAti
- tanburi
(16228) - [2008-03-31 10:09]
Hello Fred,
Well seen and well done image. I liked perspective and graphic expression of shot. Congratulations my friend. TFS
Selahattin E
Strange! A couple more and they would have had a "wall" of signs...hehe. Great pp work to make this even more interesting, Freddie. You have a good eye:)
Nice one Fred
Specialy how you used the frame on top to extend the photo.
Good job!!
John
- rewshearer
(14866) - [2008-04-01 1:06]
- [+]
I love the capture of the lamppost and the highrise behind it, it creates a strong and eyecatching vertical perspective - and really draws the double-Wall St signs out against their backdrop.
The sepia treatment works ok ... but I don't like the "out of frame" treatment (ironic, since that's the redundancy in my opinion!) nor the title - its font, its placement, or even its existence. :)
My opinions only. :) Overall I like it though.
Rew
- tjutjut
(14627) - [2008-04-01 1:28]
Hi Fred,
Interesting presentation in sepia . .
I like the way you frame it . . kind of 3D style . .
I don't know either the reason of having double sign . . what is stated at the back side of this sign?
Tfs,
Tjutjut
Many thanks for your kind words on Eyes of fly .
- vandana2923
(22070) - [2008-04-01 3:20]
Hello Fred,
Good POV to capture this tall building.
Sepia looks nice here.
Well captured architecture. TFS
Vandana
later
- r021251
(3270) - [2008-04-02 2:05]
The sepia color is magic here good concept
Bravo Réal.
- PierreCapoue
(593) - [2008-04-05 12:19]
It is a beautiful image, of course, but you know already is not it?
Have you tried to grow a bit density of dark areas?
what be that as it may, I love this great momentum in the vertical of the image. I like this aspect vintage. It is a classic image of New York but it is very well done here.
A realy good job.
Thx
- eosnut
(6767) - [2008-04-06 2:11]
Hi Freddie,
To be sure to be sure, they are fine street signs. I wonder why they mount two on the post. You could understand it if there were two languages, hang on...maybe one is English, and the other American;)
Cheers,
Pete.
- trekks
(8064) - [2008-04-08 19:26]
hi Fred
Good observation on a sign posted so high up. Nice shot of street corner scene.
tfs
- Ramdan
(4929) - [2008-04-11 3:30]
Hello Freddie,
You made a very nice touch to make it look old but beautiful. Yah!... why two? ah... perfectly titled.
Like the way you framed it, and a very nice sepia tone too.
Regards,
Ramdan.
:) soon
- mbrito
(5043) - [2008-04-17 12:05]
Hello Fred,
I love this photo of yours (and others I saw in your gallery).
It is a great perspective and a fantastic presentation. Fabulous sepia work. Very dinamic and very graphic work.
My regards, jmb
- moli
(7065) - [2008-04-18 7:09]
Hello Fred.
Great presentation of New York here. Good idea and look very effective. Interesting frame as well.
Complimnets.
Janek Kloss
- falcon53
(271) - [2008-04-20 7:36]
Great sepia image, with clever subject / frame overlap.
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