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Belgium
Title: A special Drive inNikon D700
A special Drive in (5)
janneman Gold Star Critiquer/Gold Note Writer [C: 425 W: 6 N: 164] (1052)

Levels & curves
Levels & curves
Dingo Gold Star Critiquer/Gold Star Workshop Editor/Gold Note Writer [C: 2740 W: 372 N: 2627] (11958) [2009-12-20 12:01:42] [2]
Zoals gezegd, Jan: ik vind je foto te licht en een ietsiepietsie te flets. Vandaar: levels ( 10% onderbelicht) en curves (zowel shadows als hightlights wat donkerder gemaakt).
Voel je vrij het hier (zoals gewoonlijk) niet mee eens te zijn haha. Ik hoor het wel.
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Greece
Title: Homeric poemsCanon EOS 450D
Homeric poems (16)
Dingo Gold Star Critiquer/Gold Star Workshop Editor/Gold Note Writer [C: 2740 W: 372 N: 2627] (11958)

Slightly different PoV...
Slightly different PoV...
Dingo Gold Star Critiquer/Gold Star Workshop Editor/Gold Note Writer [C: 2740 W: 372 N: 2627] (11958) [2009-09-21 12:28:49]
...as Jan suggested, the islets in the background distract a bit from the subject.
In this shot I zoomed in a bit more: 38 mm i.o. the 31 mm I used in the original post.
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Turkey
Title: sunset
sunset (1)
dilekdile (64)

Various
Various
Dingo Gold Star Critiquer/Gold Star Workshop Editor/Gold Note Writer [C: 2740 W: 372 N: 2627] (11958) [2009-09-18 13:47:35] [2]
First of all: set the horizon level.
Then cropped more from top, left and a wee bit from the bottom to get the sun on the left 1/3rd vertical line, decentering it.
Compensated for the loss of dimension by adding a little frame; in general, strong coloured shots like this sunset "need" a neutral frame to detach it from TL's own background colour...
Just my idea, of course.
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Greece
Title: Homeric poemsCanon EOS 450D
Homeric poems (16)
Dingo Gold Star Critiquer/Gold Star Workshop Editor/Gold Note Writer [C: 2740 W: 372 N: 2627] (11958)

Original version
Original version
Dingo Gold Star Critiquer/Gold Star Workshop Editor/Gold Note Writer [C: 2740 W: 372 N: 2627] (11958) [2009-09-18 12:58:15]
Just for comparison with the converted b/w version...
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Belgium
Title: tingelingSony Cybershot DSC-R1
tingeling (18)
Fons Gold Star Critiquer/Gold Note Writer [C: 1309 W: 2 N: 202] (15861)

Mainly sharpened
Mainly sharpened
Dingo Gold Star Critiquer/Gold Star Workshop Editor/Gold Note Writer [C: 2740 W: 372 N: 2627] (11958) [2009-05-01 07:04:22] [1]
Cropped a wee bit.

I used an adjustment layer for curves to deepen shadows and lighten the highlights a little bit, then used another copy in a layer with "overlay" blending mode to apply the High pass filter with a radius of 1.5 pixels to enhance sharpness.
Created a small frame to detach the green hues from tl's backdrop.
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Fons

Eerst een klein beetje bijgesneden, vooral linksonder en -boven. Ook wat van rechts.

Vervolgens een aanpassingslaag voor curves gebruikt om de schaduwen nog wat dieper te maken en de bloemetjes (hooglichten) wat helderder.

Voor het verscherpen heb ik je foto gekopieerd in een tweede laag met "overlay" als "mengmodus". Hierop is het highpass filter losgelaten met een straal van 1,5 pixel.
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Italy
Title: Carnival in Venice [III]Canon EOS 450D
Carnival in Venice [III] (10)
Dingo Gold Star Critiquer/Gold Star Workshop Editor/Gold Note Writer [C: 2740 W: 372 N: 2627] (11958)

Another crop
Another crop
Dingo Gold Star Critiquer/Gold Star Workshop Editor/Gold Note Writer [C: 2740 W: 372 N: 2627] (11958) [2009-04-12 14:30:24]
As Jan(neman) suggested, the wall is a bit distracting.

So I used the base shot with all adjustments of the main post, just cropped it differently.

Which version do you prefer??
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Tunisia
Title: Beach animationCanon EOS 450D
Beach animation (18)
Dingo Gold Star Critiquer/Gold Star Workshop Editor/Gold Note Writer [C: 2740 W: 372 N: 2627] (11958)

As captured
As captured
Dingo Gold Star Critiquer/Gold Star Workshop Editor/Gold Note Writer [C: 2740 W: 372 N: 2627] (11958) [2009-01-31 09:28:17]
This is the image as captured (in-camera compo).
Same adjustments in levels & curves, downsized, signed & framed.
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United States
Title: LOGO/REFLECTIONS
LOGO/REFLECTIONS (13)
gracestout2008 Gold Star Critiquer/Gold Note Writer [C: 351 W: 2 N: 289] (1984)

Various
Various
Dingo Gold Star Critiquer/Gold Star Workshop Editor/Gold Note Writer [C: 2740 W: 372 N: 2627] (11958) [2009-01-17 04:10:09] [2]
Hi Grace

- cropped the picture with some correction of the perspective distortion.

- rotated it to set the vertical lines straight; so some more cropping was necessary

- added adjustment layers for levels and curves; especially the levels needed tweaking to get more contrast in the shot

- added a small frame to detach the picture from tl's backdrop

Hope you like it...



Frank
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United States
Title: WaitingCanon  Rebel XTi 400D
Waiting (12)
wilth Gold Star Critiquer/Silver Workshop Editor/Gold Note Writer [C: 376 W: 47 N: 523] (2002)

Crop, partial blur, curves
Crop, partial blur, curves
Dingo Gold Star Critiquer/Gold Star Workshop Editor/Gold Note Writer [C: 2740 W: 372 N: 2627] (11958) [2009-01-17 03:41:18] [1] [+]
Hi Wilt

As I wrote in the crit, to me the top part is a bit disturbing, especially the brighter green.

So I started by cropping off most of that (and your thin black frame as well).

Then I selected the remaining water with a feather of 2 px, and applied 3,5% of Gaussian blur on it.

To detach the picture from TL's background I downsized a bit more and added a neutral frame.

Finally I used a wee bit of curves to boost contrast on the hulls.

As opposed to what I wrote in my crit, I decided to leave the bright spots in the bl corner. Cloning them out created a big dark part in that corner and it didn't look good to me...


Frank
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Belgium
Title: Wensen-Wishes-Vœux-EuxesCanon EOS 450D
Wensen-Wishes-Vœux-Euxes (30)
Dingo Gold Star Critiquer/Gold Star Workshop Editor/Gold Note Writer [C: 2740 W: 372 N: 2627] (11958)

Another view
Another view
Dingo Gold Star Critiquer/Gold Star Workshop Editor/Gold Note Writer [C: 2740 W: 372 N: 2627] (11958) [2008-12-23 11:24:04]
Here I waited for someone to pass by in front of the tree. 1/15", f/3.5, no IS, handheld, so some motion blur was bound to be inevitable.

I like the effect, as the moving persons add some dynamism to the otherwise static shot.
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