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Castello di Nymphenburg


Castello di Nymphenburg
Photo Information
Copyright: Silvio Sorcini (Silvio2006) Gold Star Critiquer/Gold Star Workshop Editor/Gold Note Writer [C: 4566 W: 106 N: 6071] (54757)
Genre: Places
Medium: Color
Date Taken: 2012-12-07
Categories: Architecture
Exposure: f/10.0, 1/200 seconds
More Photo Info: [view]
Photo Version: Original Version
Date Submitted: 2012-12-15 5:41
Viewed: 2049
Favorites: 1 [view]
Points: 30
[Note Guidelines] Photographer's Note
Castello di Nymphenburg
Da Wikipedia, l'enciclopedia libera.
Il castello di Nymphenburg (Schloss Nymphenburg, in tedesco) vale a dire "castello della Ninfa", è un palazzo in stile barocco a Monaco di Baviera, Germania. Il palazzo era la residenza estiva dei re di Baviera.
Il progetto del palazzo venne commissionato dalla coppia di principi elettori Ferdinando Maria di Baviera ed Enrichetta Adelaide di Savoia all'architetto italiano Agostino Barelli nel 1664, in seguito alla nascita del loro figlio Massimiliano Emanuele. Il padiglione centrale fu completato nel 1675.
A partire dal 1701, Massimiliano Emanuele, l'erede di Baviera, condusse una sistematica estensione del palazzo. Furono aggiunti due padiglioni, nell'ala sud e nell'ala nord del palazzo di Barelli, dagli architetti Enrico Zuccalli e Giovanni Antonio Viscardi. In seguito, la parte sud del palazzo fu ulteriormente estesa a formare le stalle di corte. Per bilanciare, fu aggiunta l'Orangerie nella parte nord. Infine, un grande cerchio (Schlossrondell) con palazzi barocchi (il cosiddetto Kavaliershäuschen - le logge del cavaliere), fu eretto dal figlio di Massimiliano Emanuele il futuro imperatore del Sacro Romano Impero Carlo VII.
Joseph Effner ridisegnò la facciata del padiglione centrale in stile barocco francese nel 1716. Nel 1726 Leo von Klenze rimosse i suoi frontoni con lo stemma dell'elettorato e creò al loro posto un attico direttamente sotto il tetto.
Con il trattato di Nymphenburg, concluso nel luglio 1741, Carlo Alberto si alleò con la Francia e la Spagna contro l'Austria.
Per lungo tempo, il palazzo fu la residenza estiva preferita dei sovrani di Baviera. Il re Massimiliano I Giuseppe di Baviera vi morì nel 1825, e il suo pronipote re Ludovico II nacque qui nel 1845.
Oggi, Nymphenburg è aperto al pubblico, ma continua anche ad essere una casa e cancelleria per il capo della casa di Wittelsbach, attualmente Francesco duca di Baviera[
Il palazzo, insieme con il suo parco, è oggi uno dei più celebri monumenti di Monaco di Baviera. Le facciate barocche comprendono una larghezza complessiva di circa 700 metri. La Saal Steinerner (""Sala di pietra"), con affreschi del soffitto di Johann Baptist Zimmermann e di F. Zimmermann e con decorazioni di François de Cuvilliés, occupa più di tre piani del padiglione centrale del palazzo.
Alcune stanze mostrano ancora la loro decorazione barocca, mentre altre sono stati successivamente ridisegnate in stile rococò o stile neoclassico. L'ex "sala da pranzo piccola" nel padiglione sud oggi ospita la Galleria delle bellezze voluta dal re Ludovico I. Questo padiglione ospita anche la stanza in cui nacque re Ludovico II di Baviera.
Le scuderie di corte contengono un museo di carrozze antiche (Marstallmuseum). Ebbero anche un ruolo negli eventi storici - una di queste carrozze per esempio fu utilizzata per l'incoronazione dell'imperatore Carlo VII nel 1742. Tra le attrazioni principali del museo ci sono le magnifiche carrozze e slitte del re Ludovico II.
Il primo piano delle ex scuderie di corte ospita una collezione di porcellane di Nymphenburg, la fabbrica situata nel complesso di palazzo fondata da Massimiliano III Giuseppe; qui sono conservate molte opere di Francesco Antonio Bustelli di Intragna.
Nymphenburg Palace
From Wikipedia, the free encyclopedia
The Nymphenburg Palace (German: Schloss Nymphenburg), i.e. "Nymph's Castle", is a Baroque palace in Munich, Bavaria, southern Germany. The palace was the main summer residence of the rulers of Bavaria.
The palace was commissioned by the prince-electoral couple Ferdinand Maria and Henriette Adelaide of Savoy to the designs of the Italian architect Agostino Barelli in 1664 after the birth of their son Maximilian II Emanuel. The central pavilion was completed in 1675.
Starting in 1701, Max Emanuel, the heir to Bavaria, a sovereign electorate of the Holy Roman Empire, undertook a systematic extension of the palace. Two pavilions were added each in the south and north of Barelli's palace by Enrico Zucalli and Giovanni Antonio Viscardi. Later, the south section of the palace was further extended to form the court stables. For the sake of balance, the orangery was added to the north. Finally, a grand circle (the Schlossrondell) with Baroque mansions (the so-called Kavaliershäuschen – cavalier's lodges) was erected under Max Emanuel's son Holy Roman Emperor Charles VII Albert. Two of the latter's children were born here: Maria Antonia (future Electress of Saxony) in 1724 and Maria Anna Josepha (future Margravine of Baden-Baden) in 1734.
Joseph Effner redesigned the facade of the center pavilion in French Baroque style with pilasters in 1716. Elector Charles Theodore ordered in 1795 to broaden the galleries to the park side. In 1826 Leo von Klenze removed its gables with the electoral coat of arms and created an attic decoration directly under the roof instead.
With the Treaty of Nymphenburg signed in July 1741, Charles Albert allied with France and Spain against Austria. For a long time, the palace was the favourite summer residence of the rulers of Bavaria. King Max I Joseph died there in 1825, and his great-grandson King Ludwig II was born there in 1845.
Today, Nymphenburg is open to the public, but also continues to be a home and chancery for the head of the house of Wittelsbach, currently Franz, Duke of Bavaria. To Jacobites, who trace the line of legitimate British monarchy down through the legal heirs of James II of England, the head of the house of Wittelsbach is the legitimate heir of the Stuart claims to the throne of the United Kingdom of Great Britain and Northern Ireland; this claim is not being actively pursued.
The palace, together with its park, is now one of the most famous sights of Munich. The baroque facades comprise an overall width of about 700 metres. Some rooms still show their original baroque decoration while others were later redesigned in rococo or neoclassical style.
The Steinerner Saal (Stone Hall) in the central pavilion, with ceiling frescoes by Johann Baptist Zimmermann and F. Zimmermann and decorations by François de Cuvilliés, is an impressive sight. Acting as a grand hall, it occupies over three floors of the central pavilion of the palace. The central ceiling fresco is Helios in his chariot, accompanied by other gods.
North of the Stone Hall, there is the wood-paneled antechamber, the audience chamber decorated with Brussels tapestries and the former bedroom with the so-called Little Beauty Gallery with ladies of Versailles, all rooms were remodeled under Maximilian II Emanuel in the style of the Régence but retain their original Baroque ceilings. Here are on display portraits of the elector and his wife Theresa Kunegunda Sobieska. The bedroom closes the park side, next to it is the Drechsel Cabinet (turnery cabinet) of Maximilian III Joseph, designed by François de Cuvilliés. Three rooms further to the north were created under Charles Theodore with the broadening of the gallery wing. In the first room there are now more portraits of ladies from the Great Gallery of Beauties of Max Emanuel, the second one is decorated with a pile rug with the coats of arms of Bavaria and the Palatinate (known as "coat of arms room"), while the third room contains portraits of Charles Theodore and his both consorts Elisabeth Auguste and Maria Leopoldine.
South of the Stone Hall are inversely to the northern rooms of the main building, the hall with the portrait of Charles Albert, the audience room with the portait of the founder couple Ferdinand Maria and his consort Henriette Adelaide and the Former Bedroom with portraits of Max Emanuel and his consort Theresa Kunegunda. Here too, the original Baroque ceilings have survived. The walls of the so-called lacquer cabinet that adjoins the bedroom are almost completely covered with Chinese panels showing scenes from a Chinese novel. Behind the south gallery are the Writing Cabinet and Antechamber of Elector Charles Theodore, which were created with the broadening of the gallery wings.
In both the North and South Galleries next to the Central Pavilion are vedutes of Bavarian castles. These galleries connect the central pavilion with the southern pavilions and northern pavilions.
The former small dining room of the Inner Southern Pavilion houses the famous attraction Gallery of Beauties of King Ludwig I of Bavaria. On behalf of the king of the court painter Joseph Karl Stieler has portrayed 36 "beautiful" women from all social classes of Munich, the best known of these are the shoemaker's daughter Helene Sedlmayr and Ludwig's longstanding infamous mistress, Lola Montez. Nearby, the Queen's bedroom is to see where on the 25th August 1845, King Ludwig II of Bavaria was born. Its mahagony furnitures were made in 1815 in Munich, unlike the mahagony furnitures for Queen Caroline’s audience room which were made in Paris, same as the furnitures in the Queen's Study. The Outer Southern Pavilion is generally inaccessible.
In the former royal stables in the South Wing is the Carriage Museum (Marstallmuseum), with one of the greatest coach collections in Europe. They also played a part in historical events - the Paris Coronation Coach for example was used for the coronation of Emperor Charles VII in 1742. Among the main attractions of the museum are the magnificent carriages and sleighs of King Ludwig II.
The first floor of the former court stables houses a collection of Nymphenburg porcelain, the factory which, also located in the palace complex, was founded by Maximilian III Joseph. It's handcrafted products are of legendary kind and quality, nowadays said to be comparable to Augarten and Sèvres only. The Nymphenburg Porcelain Manufactory itself is located in one of the houses of the northern roundabouts and can be visited only by written appointment. In the adjoining Outer South Wing of the castle is a restaurant with beer garden.
The Inner Northern Pavilion is generally inaccessible, the Outer Northern Pavilion houses the chapel, whose ceiling painting deals with the life of St. Mary Magdalene. It was already begun in 1702 by Antonio Viscardi from the design by Enrico Zuccalli.
In the North Wing, the Museum of Man and Nature is housed since 1990. The Hubertus Hall upstairs served for concerts. In the adjoining Outer North Wing of the castle is from 1835, the Mary Ward Elementary School, founded by Mary Ward, paved the way for a better education for girls. Mary Ward came after her escape from Rome to Munich in 1627 and was sponsored by Elector Maximilian I. King Ludwig I invited the girls' school finally to the Nymphenburg Palace in 1835.

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Critiques [Translate]

Olá Silvio
Good perspective of this good architecture. I like the texture of walls and the " white"...also people are in very interestong poses and helps to compare sizes.
Good sharpness and good framing
Bom fim de Semana
um abraço
teresa

Hello Silvio,
Wow! what a clarity!
Beautiful capture with nice details, skilled use of light and well exposed image.
My regards,
Joy

  • Great 
  • fransx Gold Star Critiquer/Gold Star Workshop Editor/Gold Note Writer [C: 2938 W: 134 N: 7397] (41704)
  • [2012-12-15 7:05]

Hi Silvio,
A very sharp image of this edifice in such whiteness and golden borders of the windows. I like the POV and the people who are giving scale to your neat presntation.
Well done,

Francis Xavier

  • Great 
  • nicou Gold Star Critiquer/Gold Note Writer [C: 2777 W: 0 N: 5194] (50772)
  • [2012-12-15 8:15]

Hlelo

Qeulle vue e tiamge sueprbe cpatage fantasitque tout ce fond le blanc de l'édifice avec la neige grandisoe vue et ce personnage.
Bravo et amitié

Nicou

I like your pov of this beautiful architecture. Details are very sharp with good lighting and wonderful colors. Well done, tfs.

  • Great 
  • suzley Gold Star Critiquer/Gold Star Workshop Editor/Gold Note Writer [C: 1833 W: 317 N: 3045] (23928)
  • [2012-12-15 9:30]

Hi Silvio.

Clean, precise, arcitectural and defined.
The light and its direction gives it for me. tfs

stv ;o))

Ciao Silvio
superb shot. perfect capture of a wonderful building with good perspective and straight upwards walls. beautiful architecture. attractive and elegant style. fine softness of colors. splendid clarity of shapes and lines. the figures at FG add a sense of scale and depth to the image.
shalom
tsilla

Hi Slvio, what a splendid presentation of Munichs famous Schloss Nymphenburg. The light is soo fantastic right on the fantastic architecture - you can see every of the beautiful details.
Thanks for your interesting note - I have visited the world famous Nymphenburger Porzellan Manufaktur but at that time the Schloss was closed for visitors.
Thanks for sharing Silvio - have a wonderful weekend kindest regards Monika

I love the colours in this shot - the blue sky makes a beautifu backdrop for the white and gold. The beautiful architecture is enhanced by these simple colours. Nice job
regards
david

bonjour Silvio
so neat, clear and precise, another world: golden ages
Beautiful lights and presentation
Bon dimanche, Silvio
henri

What a wonderful scene you have captured here, Silvio!
Light and contrasts are amazing, and colors are natural.
Good POV and well kept DOF too.
Nice work!

Have a nice Sunday.

Ciao,
Paras

Hi Silvio

Good perspective of this good architecture.
Beautiful capture with nice details.
Splendid clarity of shapes and lines.
well done

regards

HI Silvio...beautiful shot...such nice light and tones....great work.

Roger

  • Great 
  • dale54 (452)
  • [2013-10-28 3:06]

hello good morning silvio...this one from germany caught my eye.what a superb building..love it,and thanks for the note! dale

Ciao Silvio! Amazing white palace. Wonderful architecture. Fine people. Good perspective. Very good capture. Ideal focus. Well done!

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